By David Bradshaw(eds.)
Taking an leading edge and multi-disciplinary method of literature from 1947 to the current day, this Concise better half is an imperative advisor for an individual looking an authoritative figuring out of the highbrow contexts of Postcolonial literature and tradition.
- An quintessential consultant for someone looking an authoritative realizing of the highbrow contexts of Postcolonialism, bringing jointly 10 unique essays from best foreign students together with C. L. Innes and Susan Bassnett
- Explains the information and practises that emerged from the dismantling of ecu empires
- Explores the ways that those rules and practices stimulated the period's keynote matters, akin to race, tradition, and id; literary and cultural translations; and the politics of resistance
- Chapters conceal the fields of id reports, orality and literacy, nationalisms, feminism, anthropology and cultural feedback, the politics of rewriting, new geographies, publishing and advertising, translation stories.
- Features an invaluable Chronology of the interval, thorough normal bibliography, and courses to additional analyzing
Chapter 1 Framing Identities (pages 9–28): David Richards
Chapter 2 Orality and Literacy (pages 29–55): G. N. Devy and Duncan Brown
Chapter three The Politics of Rewriting (pages 56–77): C. L. Innes
Chapter four Postcolonial Translations (pages 78–96): Susan Bassnett
Chapter five kingdom and Nationalisms (pages 97–119): John McLeod
Chapter 6 Feminism and Womanism (pages 120–140): Nana Wilson?Tagoe
Chapter 7 Cartographies and Visualization (pages 141–161): David Howard
Chapter eight Marginality: Representations of Subalternity, Aboriginality and Race (pages 162–181): Stephen Morton
Chapter nine Anthropology and Postcolonialism (pages 182–203): Will Rea
Chapter 10 Publishing Histories (pages 204–228): Gail Low
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Additional resources for A Concise Companion to Postcolonial Literature
London: Harvard University Press. Fanon, Frantz (1985). The Wretched of the Earth [Les damnés de la terre, 1961]. Translated by Constance Parrington. Harmondsworth: Penguin. —— (1986). Black Skin, White Masks [Peau noire, masques blancs, 1952]. Translated by Charles Lam Markham, foreword by Homi K Bhabha. London: Pluto. Freud, Sigmund (2001) . Totem and Taboo: Resemblances Between the Mental Lives of Savages and Neurotics. London: Routledge. Lamming, George (1994) . In the Castle of My Skin.
Devi’s own notes to the story suggest a very specific reading of ‘Breast-Giver’ as a national allegory of India: the subaltern Jashoda is an allegorical figure of Mother India, whose exploitation by the elite has been ignored by history but whose sacrifice nonetheless enables the survival of others. Devi’s reading of her own narrative is clearly thought of by herself as the female subaltern ‘speaking’ and, through the telling of this forgotten story, claiming a central voice in the narrative of national identity.
Bryant, Henry Callaway or Wilhelm Bleek and Lucy Lloyd is an invaluable archive, though one requiring careful contextualization. E. W. C. P. Kunene (1971), and Mazisi Kunene (1961), which continue to inform orality studies today. With the ‘retribalizing’ policy of the National Party following its coming to power in South Africa in 1948, studies of oral literature – especially in departments of African languages – became, in some cases, problematically entangled with the ideology of apartheid and its promotion of fossilized and essentialized notions of ‘ethnic identity’ and ‘racial otherness’; or they restricted themselves to the ‘safe’ areas of lexical study or morphology over the more challenging and resistant potential of oral texts in South Africa.